{"id":14887,"date":"2020-09-10T12:40:41","date_gmt":"2020-09-10T16:40:41","guid":{"rendered":"http:\/\/montrealblackfilm.mysites.io\/?p=14887"},"modified":"2020-09-10T13:00:20","modified_gmt":"2020-09-10T17:00:20","slug":"an-amazing-selection-of-american-films","status":"publish","type":"post","link":"https:\/\/montrealblackfilm.com\/en\/an-amazing-selection-of-american-films\/","title":{"rendered":"AN AMAZING SELECTION OF AMERICAN FILMS !"},"content":{"rendered":"

THE 2020 ONLINE EDITION OF THE MONTREAL INTERNATIONAL BLACK FILM FESTIVAL WILL PRESENT 120 FILMS FROM 30 COUNTRIES, OF WHICH SOME AMAZING US FILMS:<\/strong><\/p>\n

\nA STORYBOOK ENDING<\/a>
\nALL I SEE IS THE FUTURE<\/a>
\nAWRY<\/a>
\nBALLET AFTER DARK<\/a>
\nBLACK BOYS<\/a>
\nBLACK BOYS DON’T CRY<\/a>
\nBRICK BY BRICK<\/a>
\nBUMPY RHODES<\/a>
\nBUSTER WILLIAMS BASS TO INFINITY<\/a>
\nCITY ON THE HILL<\/a>
\nDAMITA<\/a>
\nDRIVING WHILE BLACK MAGIC<\/a>
\nFURTHEST FROM <\/a>
\nGOD BLESS THE COOK<\/a>
\nHAITI SPEAKS<\/a>
\nHONEYMOON<\/a>
\nJUNIOR (Ha\u00eeti)<\/a>
\nJUNIOR (USA)<\/a>
\nLAND OF DRY BONES<\/a>
\nLATASHA HARLINS<\/a>
\nMARCUS<\/a>
\nNO LYE: AN AMERICAN BEAUTY STORY<\/a>
\nPIER KIDS<\/a>
\nPRAISE AND WORSHIP<\/a>
\nPUSHOUT: The Criminalization of Black Girls in Schools<\/a>
\nRUN LITTLE BOY<\/a>
\nSILENT FORESTS<\/a>
\nTHE COMPANY YOU KEEP<\/a>
\nTHE HOME TEAM<\/a>
\nTHE LAST STARSHIP<\/a>
\nTHE RUNAWAYS<\/a>
\nTHE VALUE OF LIFE<\/a>
\nTO SOMEDAY UNDERSTAND<\/a>
\nUNSETTLED, Seeking Refugee in America<\/a>
\nVIKTORY<\/a>
\nWATERS OF MARCH<\/a>
\nWBLS<\/a>
\nWE GOT THIS<\/a>
\nKENBE FEM<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

THE 2020 ONLINE EDITION OF THE MONTREAL INTERNATIONAL BLACK FILM FESTIVAL WILL PRESENT 120 FILMS FROM 30 COUNTRIES, OF WHICH SOME AMAZING US FILMS: A STORYBOOK ENDING ALL I SEE IS THE FUTURE AWRY BALLET AFTER DARK BLACK BOYS BLACK BOYS DON’T CRY BRICK BY BRICK BUMPY RHODES BUSTER WILLIAMS BASS TO INFINITY CITY ON […]<\/p>\n","protected":false},"author":4,"featured_media":14296,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[8],"tags":[],"class_list":["post-14887","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"_links":{"self":[{"href":"https:\/\/montrealblackfilm.com\/en\/wp-json\/wp\/v2\/posts\/14887","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/montrealblackfilm.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/montrealblackfilm.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/montrealblackfilm.com\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/montrealblackfilm.com\/en\/wp-json\/wp\/v2\/comments?post=14887"}],"version-history":[{"count":0,"href":"https:\/\/montrealblackfilm.com\/en\/wp-json\/wp\/v2\/posts\/14887\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/montrealblackfilm.com\/en\/wp-json\/wp\/v2\/media\/14296"}],"wp:attachment":[{"href":"https:\/\/montrealblackfilm.com\/en\/wp-json\/wp\/v2\/media?parent=14887"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/montrealblackfilm.com\/en\/wp-json\/wp\/v2\/categories?post=14887"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/montrealblackfilm.com\/en\/wp-json\/wp\/v2\/tags?post=14887"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}