
{"id":558,"date":"2014-08-28T22:04:28","date_gmt":"2014-08-28T22:04:28","guid":{"rendered":"http:\/\/montrealblackfilm.mysites.io\/?p=558"},"modified":"2017-08-14T20:33:00","modified_gmt":"2017-08-14T20:33:00","slug":"souleymane-cisse-2011","status":"publish","type":"post","link":"https:\/\/montrealblackfilm.com\/en\/souleymane-cisse-2011\/","title":{"rendered":"Souleymane Ciss\u00e9 &#8211; 2011"},"content":{"rendered":"<p>Souleymane Ciss\u00e9&#8217;s career is impressive, to say the least. His interest in cinema started when he was only seven. After completing high school in Dakar, he moved back to Mali in 1960, as the country was gaining independence. During a screening of a documentary film about Patrice Lumumba&#8217;s arrest, he had an epiphany: he would make movies. He obtained a scholarship and went to Moscow, where he became a projectionist and then a filmmaker.<\/p>\n<p>In 1970, Mali&#8217;s Ministry of Information hired him as a cameraman. Two years later, he released Cinq jours d&#8217;une vie (Five Days in a Life), which won an award at the Carthage Film Festival. His first feature, Den Muso (The Girl), completed with the help of French funding, tells the story of a young mute girl who was raped, then rejected by her family. It was banned in Mali and Souleymane Ciss\u00e9 was arrested and jailed.<\/p>\n<p>His films, Baara (Work) and Finy\u00e9 (Wind), both received critical acclaim and won the \u00c9talon de Yenenga Award at Fespaco. But the film that finally brought him into the public eye was Yeelen (Light). This film won the Jury Prize at the 1987 Cannes Festival and will be part of the cinema and audiovisual curriculum for the 2011-2013 French Baccalaureate. In 1995, he directed Waati (Time).<\/p>\n<p>Souleymane Ciss\u00e9 has sat on many juries, including the Official Selection Jury at the 1983 Cannes Festival and the Cin\u00e9fondation Jury at the 2006 Cannes Festival.<\/p>\n<p>His most recent film, Min Y\u00e8 (Tell Me Who You Are), was part of the Official Selection of the 62nd Cannes Festival in 2009.<\/p>\n<p>In 2011, he was on the jury of the Tribeca Film Festival, founded by Robert De Niro.<\/p>\n<p>As a committed filmmaker, Souleymane Ciss\u00e9 is the president and co-founder of the UCECAO, the Union of West African Cinema and Audiovisual Designers and Entrepreneurs. He&#8217;s also on the board of Martin Scorsese&#8217;s World Cinema Foundation, dedicated to preserving and restoring classic films from around the world.<\/p>\n<p>For his work, Souleymane Ciss\u00e9 was appointed Commandeur de l&#8217;Ordre National in Mali, Officier de l\u2019Ordre in Burkina Faso and Commandeur des Arts et des Lettres in France.<\/p>\n<p>According to Martin Scorcese, Souleymane Ciss\u00e9 is&#8230;<\/p>\n<p>Souleymane Ciss\u00e9 was interviewed on April 2011 by Academy Award Winning-Director Martin Scorcese at Tribeca Talks Series. Scorsese first discovered Ciss\u00e9\u2019s film Yeelen while flipping through the channels late one night, and he describes it as \u201cone of the greatest cinematic experiences of my life.\u201d \u201cI didn\u2019t realize such wonderful cinema was being made in Africa,\u201d said Scorsese. \u201cOur culture is more enriched by seeing these films.&#8221;<\/p>\n<h3>SOME AWARDS<\/h3>\n<ul>\n<li><span style=\"line-height: 1.3em;\">British Film Institute Fellowship in 2009<\/span><\/li>\n<li><span style=\"line-height: 1.3em;\">Jury Prize &#8211; Festival de Cannes (Yeelen)<\/span><\/li>\n<li><span style=\"line-height: 1.3em;\">Sutherland Trophy &#8211; British Film Institute Awards (Yeelen)<\/span><\/li>\n<li><span style=\"line-height: 1.3em;\">Distribution Help Award &#8211; Fribourg International Film Festival (Yeelen)<\/span><\/li>\n<li><span style=\"line-height: 1.3em;\">Tanit d&#8217;Or &#8211; Carthage Film Festival (Finye)<\/span><\/li>\n<li><span style=\"line-height: 1.3em;\">Prix du Jury &#8211; Locarno International Film Festival (Baara)<\/span><\/li>\n<li><span style=\"line-height: 1.3em;\">Golden Montgolfiere &#8211; Nantes Three Continents Festival (Baara)<\/span><\/li>\n<li><span style=\"line-height: 1.3em;\">Grand Prize &#8211; Etalon de Yennega &#8211; FESPACO (Finye)<\/span><\/li>\n<li><span style=\"line-height: 1.3em;\">Grand Prize &#8211; Etalon de Yennega &#8211; FESPACO (Baara)<\/span><\/li>\n<\/ul>\n<h3>SOME NOMINATIONS<\/h3>\n<ul>\n<li><span style=\"line-height: 1.3em;\">Palmes d&#8217;Or &#8211; Festival de Cannes (Waati)<\/span><\/li>\n<li><span style=\"line-height: 1.3em;\">Palmes d&#8217;Or &#8211; Festival de Cannes (Yeelen)<\/span><\/li>\n<li><span style=\"line-height: 1.3em;\">Best Foreign Film &#8211; Independent Spirit Award (Yeelen)<\/span><\/li>\n<\/ul>\n<p><a href=\"index.php?option=com_k2&amp;view=item&amp;id=222:hommage-\u00e0-souleymane-ciss\u00e9&amp;Itemid=46&amp;lang=en\">See photo gallery<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Souleymane Ciss\u00e9&#8217;s career is impressive, to say the least. His interest in cinema started when he was only seven. After completing high school in Dakar, he moved back to Mali in 1960, as the country was gaining independence. During a screening of a documentary film about Patrice Lumumba&#8217;s arrest, he had an epiphany: he would [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":11150,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[10],"tags":[],"class_list":["post-558","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-wall-of-fame"],"_links":{"self":[{"href":"https:\/\/montrealblackfilm.com\/en\/wp-json\/wp\/v2\/posts\/558","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/montrealblackfilm.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/montrealblackfilm.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/montrealblackfilm.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/montrealblackfilm.com\/en\/wp-json\/wp\/v2\/comments?post=558"}],"version-history":[{"count":0,"href":"https:\/\/montrealblackfilm.com\/en\/wp-json\/wp\/v2\/posts\/558\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/montrealblackfilm.com\/en\/wp-json\/wp\/v2\/media\/11150"}],"wp:attachment":[{"href":"https:\/\/montrealblackfilm.com\/en\/wp-json\/wp\/v2\/media?parent=558"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/montrealblackfilm.com\/en\/wp-json\/wp\/v2\/categories?post=558"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/montrealblackfilm.com\/en\/wp-json\/wp\/v2\/tags?post=558"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}